Pride and Prejudice, my favorite book

There is no denying the fact that the novel Pride and Prejudice by Jane Austen  is a symbol of social reforms ingrained in common life specifically love, fraternity, social conflicts have been highlighted as a tentative flow. Jane Austin was born in Steventon, England, in 1775, where she lived for the first twenty-five years of her life. Her father, George Austen, was the priest of the local parish and qualified her largely at home. She began to write while in her adolescence and accomplished the innovative script of Pride and Prejudice, aristocratic First Impressions, between 1796 and 1797. A publisher discarded the script, and it was not until 1809 that Austen started the revisions that would pass it to its final outward appearance. Pride and Prejudice was in print in January 1813, two years after good judgment and susceptibility, her first novel, and it achieved an attractiveness that has endured to this day. Austen published four more novels: Mansfield Park, Emma, North-anger Abbey, and Persuasion. The last two were available in 1818, a year after her death.

During Austen’s life, however, only her instantaneous family knew of her authorship of these novels. At one point, she wrote behind a door that creaked when visitors approached; this warning permitted her to put out of sight manuscripts before anyone could enter. Though publishing incognito prohibited her from acquiring an authorial status, it also enabled her to preserve her privacy at a time when English society associated a female’s entrance into the public sphere with a reprehensible loss of femininity. Additionally, Austen may have sought anonymity because of the more general atmosphere of repression pervading her era. As the Napoleonic Wars (1800–1815) threatened the safety of monarchies throughout Europe, government censorship of literature proliferated. The social milieu of Austen’s Regency England was predominantly stratified, and class divisions were rooted in family connections and wealth. In her work, Austen is often critical of the assumptions and prejudices of upper-class England. She distinguishes between internal merit (goodness of person) and external merit (rank and possessions). Though she frequently satirizes snobs, she also pokes fun at the poor breeding and misbehavior of those lower on the social scale. Nevertheless, Austen was in many ways a realist, and the England she depicts is one in which social mobility is limited and class-consciousness is strong. Socially regimented ideas of appropriate behavior for each gender factored into Austen’s work as well. While social advancement for young men lay in the military, church, or law, the chief method of self-improvement for women was the acquisition of wealth. Women could only accomplish this goal through successful marriage, which explains the ubiquity of matrimony as a goal and topic of conversation in Austen’s writing. Though young women of Austen’s day had more freedom to choose their husbands than in the early eighteenth century, practical considerations continued to limit their options.

Even so, critics often accuse Austen of portraying a limited world. As a clergyman’s daughter, Austen would have done parish work and was certainly aware of the poor around her. However, she wrote about her own world, not theirs. The critiques she makes of class structure seem to include only the middle class and upper class; the lower classes, if they appear at all, are generally servants who seem perfectly pleased with their lot. This lack of interest in the lives of the poor may be a failure on Austen’s part, but it should be understood as a failure shared by almost all of English society at the time.

In general, Austen occupies a curious position between the eighteenth and nineteenth centuries. Her favorite writer, whom she often quotes in her novels, was Dr. Samuel Johnson, the great model of eighteenth-century classicism and reason. Her plots, which often feature characters forging their respective ways through an established and rigid social hierarchy, bear similarities to such works of Johnson’s contemporaries as Pamela, written by Samuel Richardson. Austen’s novels also display an ambiguity about emotion and an appreciation for intelligence and natural beauty that aligns them with Romanticism. In their awareness of the conditions of modernity and city life and the consequences for family structure and individual characters, they prefigure much Victorian literature (as does her usage of such elements as frequent formal social gatherings, sketchy characters, and scandal). It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife. The news that a wealthy young gentleman named Charles Bingley has rented the manor known as Nether field Park causes a great stir in the neighboring village of Long bourn, especially in the Bennet household. The Bennets have five unmarried daughters, and Mrs. Bennet, a foolish and fussy gossip, is the sort who agrees with the novel’s opening words: “It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.” She sees Bingley’s arrival as an opportunity for one of the girls to obtain a wealthy spouse, and she therefore insists that her husband call on the new arrival immediately. Mr. Bennet torments his family by pretending to have no interest in doing so, but he eventually meets with Mr. Bingley without their knowing. When he reveals to Mrs. Bennet and his daughters that he has made their new neighbor’s acquaintance, they are overjoyed and excited.

The Bennets’ neighbors are Sir William Lucas, his wife, and their children. The eldest of these children, Charlotte, is Elizabeth's  closest friend. The morning after the ball, the women of the two families discuss the evening. They decide that while Bingley danced with Charlotte first, he considered Jane to be the prettiest of the local girls. The discussion then turns to Mr. Darcy, and Elizabeth states that she will never dance with him; everyone agrees that Darcy, despite his family and fortune, is too proud to be likable.

Bingley’s sisters exchange visits with the Bennets and attempt to befriend Elizabeth and Jane. Meanwhile, Bingley continues to pay attention to Jane, and Elizabeth decides that her sister is “in a way to be very much in love” with him but is concealing it very well. She discusses this with Charlotte Lucas, who comments that if Jane conceals it too well, Bingley may lose interest. Elizabeth says it is better for a young woman to be patient until she is sure of her feelings; Charlotte disagrees, saying that it is best not to know too much about the faults of one’s future husband.

Darcy finds himself attracted to Elizabeth. He begins listening to her conversations at parties, much to her surprise. At one party at the Lucas house, Sir William attempts to persuade Elizabeth and Darcy to dance together, but Elizabeth refuses. Shortly afterward, Darcy tells Bingley’s unmarried sister that “Miss Elizabeth Bennet” is now the object of his admiration.

The reader learns that Mr. Bennet's property is entailed, meaning that it must pass to a man after Mr. Bennet’s death and cannot be inherited by any of his daughters. His two youngest children, Catherine (nicknamed Kitty) and Lydia, entertain themselves by beginning a series of visits to their mother’s sister, Mrs. Phillips, in the town of Meryton, and gossiping about the militia stationed there.

One night, while the Bennets are discussing the soldiers over dinner, a note arrives inviting Jane to Nether field Park for a day. Mrs. Bennet conspires to send Jane by horse rather than coach, knowing that it will rain and that Jane will consequently have to spend the night at Mr. Bingley’s house. Unfortunately, their plan works out too well: Jane is soaked, falls ill, and is forced to remain at Nether field as an invalid. Elizabeth goes to visit her, hiking over on foot. When she arrives with soaked and dirty stockings she causes quite a stir and is certain that the Bingleys hold her in contempt for her soiled clothes. Jane insists that her sister spend the night, and the Bingleys consent.

That night, while Elizabeth visits Jane, the Bingley sisters poke fun at the Bennets. Darcy and Mr. Bingley defend them, though Darcy concedes, first, that he would not want his sister ever to go out on such a walking expedition and, second, that the Bennets’ lack of wealth and family make them poor marriage prospects. When Elizabeth returns to the room, the discussion turns to Darcy’s library at his ancestral home of Pemberley and then to Darcy’s opinions on what constitutes an “accomplished woman.” After he and Bingley list the attributes that such a woman would possess, Elizabeth declares that she “never saw such capacity, and taste, and application, and elegance, as you describe, united,” implying that Darcy is far too demanding.  There is no denying the fact that the second daughter in the Bennet family, and the most intelligent and quick-witted, Elizabeth is the protagonist of Pride and Prejudice and one of the most well-known female characters in English literature. Her admirable qualities are numerous—she is lovely, clever, and, in a novel defined by dialogue, she converses as brilliantly as anyone. Her honesty, virtue, and lively wit enable her to rise above the nonsense and bad behavior that pervade her class-bound and often spiteful society. Nevertheless, her sharp tongue and tendency to make hasty judgments often lead her astray; Pride and Prejudice is essentially the story of how she (and her true love, Darcy) overcome all obstacles—including their own personal failings—to find romantic happiness.

Elizabeth must not only cope with a hopeless mother, a distant father, two badly behaved younger siblings, and several snobbish, antagonizing females, she must also overcome her own mistaken impressions of Darcy, which initially lead her to reject his proposals of marriage. Her charms are sufficient to keep him interested, fortunately, while she navigates familial and social turmoil. As she gradually comes to recognize the nobility of Darcy’s character, she realizes the error of her initial prejudice against him. The son of a wealthy, well-established family and the master of the great estate of Pemberley, Darcy is Elizabeth’s male counterpart. The narrator relates Elizabeth’s point of view of events more often than Darcy’s, so Elizabeth often seems a more sympathetic figure. The reader eventually realizes, however, that Darcy is her ideal match. Intelligent and forthright, he too has a tendency to judge too hastily and harshly, and his high birth and wealth make him overly proud and overly mindful of his social status. Indeed, his haughtiness makes him initially bungle his courtship. When he proposes to her, for instance, he dwells more on how unsuitable a match she is than on her charms, beauty, or anything else complimentary. Her rejection of his advances builds a kind of humility in him. Darcy demonstrates his continued devotion to Elizabeth, in spite of his distaste for her low connections, when he rescues Lydia and the entire Bennet family from disgrace, and when he goes against the wishes of his haughty aunt, Lady Catherine de Bourgh, by continuing to pursue Elizabeth. Darcy proves himself worthy of Elizabeth, and she ends up repenting her earlier, overly harsh judgment of him. Elizabeth’s beautiful elder sister and Darcy’s wealthy best friend, Jane and Bingley engage in a courtship that occupies a central place in the novel. They first meet at the ball in Meryton and enjoy an immediate mutual attraction. They are spoken of as a potential couple throughout the book, long before anyone imagines that Darcy and Elizabeth might marry. Despite their centrality to the narrative, they are vague characters, sketched by Austen rather than carefully drawn. Indeed, they are so similar in nature and behavior that they can be described together: both are cheerful, friendly, and good-nature d, always ready to think the best of others; they lack entirely the prickly egotism of Elizabeth and Darcy.

 In view of the above, it is evident that Jane’s placid spirit serves as a throw a monkey wrench in the works for her sister’s fiery, debatable nature, while Bingley's enthusiastic outgoingness contrasts with Darcy’s stiff pride. Their principal characteristics are goodwill and compatibility, and the contrast of their anecdote with that of Darcy and Elizabeth is noteworthy. Jane and Bingley show evidence of to the person who reads true love unconstrained by either pride or prejudice, though in their simple decency, they also make obvious that such a find irresistible is placidly unexciting.